Anita Sarkeesian could have been anybody; she’s not the story, anymore than Zoe Quinn was the story of #GamerGate. The story itself is the story.
“Star Wars: The Force Awakens” is nothing but the pre-sexual fantasies of a man with arrested development; a boy who’s afraid of growing up, a boy who hates his father.
Fireproof is a 2008 film which tries to put out a positive, pro-marriage message. While it has some good elements, it ultimately fails because of the attitude of “Women are Wonderful and can do no wrong”. It winds up flipping the principles of Christian marriage on their head, and serves as a guideline for setting yourself up for divorce.
Scott Cameron’s Understanding #Gamergate is a 14,000 word dissertation explaining the core issues which started Gamergate, the major developments which have proceeded since that time, introductions to the major players, and a framework by which the reader can measure and weigh the arguments of both sides.
Daddy Government and the Corporate Boyfriend are two concepts which really sum up the status quo of our society. They’re the two main forces, working in tandem, which ensnare the modern woman, turning her into a useful battery for the powers that be, without regard for the woman herself or the future of our civilization. They’re products of Marketing run amok, that demon-child birthed by Edward Bernays at the beginning of the 20th Century, when he employed the theories of his uncle Freud to shatter humanity into atomized spheres of narcissistic reflection, under the stony, silent gaze of the Puritan God Leviathan.
If you ask most denizens of the Manosphere, they’ll describe AVfM as nothing more than “Feminism for men” (meanwhile, the MHRM would probably describe the Manosphere as “Nothing but a bunch of guys trying to get laid”). These are both gross mischaracterizations.